Scholarship

My scholarship tends towards the transformative possibilities of Black creativity and feminist, queer worldmaking through language, sound, and movement. Generally, my research coalesces at the intersections of Black theatre and performance, Black feminist theories and praxis, musical theatre history, Black girlhood studies, Black critical theory, popular music, sound studies, practice-as-research, and reproductive justice. I read blackness, sound, and performance across expressive culture including but not limited to theatre, popular music, and visual culture.